| 269 | 1 | 8 |
| 下载次数 | 被引频次 | 阅读次数 |
"摇摆"是小说的动力所在。小说作为一种不确定性的"存在",而"存在"自身的边缘性、断裂性、易变性、非理性、个人性等内涵,使"摇摆"成为小说家建构小说时必不可少的叙事策略。"摇摆"在小说情节、人物、主题等叙事中的表现为曲线、否定、循环等形式。"摇摆"在小说叙事中运用的终极性目的是揭示人性。
Abstract:The "ups and downs" of a story is the motive power of a novel.Novel is a kind of "existence" with its own uncertainty,marginality,division,mutability,irrationality,and individuality,which make the "ups and downs" as a vital constructive strategy by novelists.The "ups and downs" is presented as twists,negations and circulations,etc in the narration of the plots,figures and themes of a novel.The ultimate aim of applying the "ups and downs" in a novel is to reveal the human nature.
[1]曹文轩.小说门[M].北京:作家出版社,2002.
[2]格非.小说叙事研究[M].北京:清华大学出版社,2002.
[3]钱理群,温儒敏,吴福辉.中国现代文学三十年[M].北京:北京大学出版社,1998.
[4]孙绍振.怎样写小说[M].合肥:海峡文艺出版社,1992.
基本信息:
中图分类号:I054
引用信息:
[1]周思辉.论小说叙事中的“摇摆”[J].凯里学院学报,2012,30(01):77-80.
2012-02-25
2012-02-25